“What do we even do when the Justice Department ignores court orders?” reads one text from an American friend on my phone. “None of this feels real,” says another.
As we navigate the whiplash-inducing headlines emerging daily from Trump’s Washington, I often find myself thinking of Oksana Baulina, who joined our team in 2019 to produce a documentary series about Stalin’s Gulag survivors. By then, Russia’s state media was actively rehabilitating Stalin’s image, recasting the Soviet dictator as an “efficient manager” who had made necessary sacrifices for the motherland. We felt an urgent need to preserve the testimonies of the few remaining survivors—men and women in their eighties and nineties whose first-hand accounts could counter this historical revisionism.
This story is part of “The Playbook,” our special issue in which Coda acts as your early warning system for democracy. For seven years, we’ve tracked how freedoms erode around the world—now we’re seeing similar signs in America. Like a weather radar for democracy, we help you spot the storm clouds.
It was no longer safe for me to travel to Moscow to work with Oksana on developing the project, so we met in neighboring Georgia, in Tbilisi, my hometown. She arrived dressed every bit as the fashion magazine editor she had once been at Russian Vogue before pivoting to become an opposition activist and journalist.
Over wine one evening, she described the constant cat-and-mouse game she had experienced working with Alexei Navalny’s anti-corruption foundation. She talked about how Navalny’s team had to constantly reinvent itself, adapting to each new restriction the Kremlin devised. When the authorities blocked their websites, they migrated to YouTube and social media. When officials raided their offices, they decentralized operations. When the government froze their bank accounts, they found alternative funding methods. The space for dissent was shrinking daily, she explained, and with each new constraint, they needed to innovate, come up with fresh tactics to continue exposing corruption in Russia and holding Putin accountable.
“The walls are closing in,” she told me, “and most people don’t even notice until they’re trapped.”
Oksana Baulina with Olga Shirokaya, a 96-year-old survivor of Stalin’s Gulags.
Her words have acquired an unsettling resonance as I watch the American political landscape transform. When I draw these parallels to my American friends, I often see a familiar resistance in their eyes. Some will say comparing America to authoritarian states is alarmist, that the differences between these societies are too vast. “These are apples and oranges,” they’ll argue. But the anatomy of repression—the methods used by the powerful to dismantle democratic institutions—remains remarkably similar across time and borders.
There’s a reason why those who’ve lived under authoritarian systems recognize the warning signs so clearly. For Americans, this trajectory feels unimaginable – a departure from everything they know. But for people like Oksana, those who’ve witnessed democracy crumble, it’s more like going back to the future – a painfully familiar pattern returning in new forms.
Recently, a friend in Georgia received a summons that captured the essence of life in an authoritarian state: show up to a state commission hearing and risk becoming a target, or don’t show up and face jail time. A decade ago, this would have been unthinkable in Georgia, a country that once exemplified the possibilities of post-Soviet democratic transformation. But that’s the thing about authoritarianism—it advances by turning the unthinkable into the inevitable.
Authoritarianism often takes a precise, technical approach to dismantling democracy. It’s not always about sudden, violent takeovers. Usually, democratic backsliding is a careful process of erosion, where each small step makes the once outrageous appear normal. What makes this process particularly insidious is how it subverts democracy’s own tools – elections, parliaments, courts, and media – turning them against the very systems they were designed to uphold.
Since Coda’s inception, we’ve been tracking the changing landscape of power: the expanding geography of authoritarianism, the abuse of technology, the rise of oligarchy, and the weaponization of historical narratives. Our unique editorial approach identifies “currents” – the patterns bubbling beneath the daily headlines – allowing us to detect emerging trends before they become apparent. Through this lens, we’ve observed that while authoritarian regimes deploy varied tactics, three essential elements of the playbook repeat themselves with remarkable consistency across different contexts and continents.
The first move is always the manipulation of memory and nostalgia. Vladimir Putin understood this better than most. His regime didn’t just recast Stalin from tyrant to “efficient manager” – it undermined organizations like Memorial that documented Soviet crimes by branding them as “foreign agents” before shutting them down entirely.
For Oksana, like many others on our team, the Gulag documentary project was deeply personal. Her family had directly experienced political repression under Soviet rule. For the Russian-language version, she chose a different title than “Generation Gulag.” She called it: “The Repressions Don’t End.”
This same pattern is visible in the United States, where the “Make America Great Again” movement taps into a yearning for an imagined past—one in which power structures went unquestioned and concepts like racial equity didn’t “complicate” the natural order. This isn’t just a political slogan; it’s a carefully crafted narrative that creates social conditions that make challenging the mythical past dangerous.
We’ve seen this play out in Viktor Orbán’s Hungary, where school textbooks have been rewritten to glorify the country’s imperial past and minimize its complicity in the Holocaust. In India, where Narendra Modi’s government has systematically reshaped history education to center Hindu nationalist narratives and diminish Muslim contributions. And in Florida, where educational restrictions on teaching African American studies and racial history follow the same playbook – controlling how societies understand their past to make it easier to reshape their future.
But rewriting the past is merely the first act. The next phase is to transform this nostalgia into a weapon that redefines loyalty to the nation. Once the mythical golden age is established, questioning it becomes not just disagreement but betrayal. In Russia, this meant that anyone who questioned the revered myths about Soviet glory suddenly became suspect – a potential traitor or foreign agent.
As Oksana traveled across Russia filming interviews with Gulag survivors, many said how distraught they were to see that at the end of their lives, the narratives they thought had been discredited were gaining traction again. The perpetrators of the crimes against them – their executioners, their prison guards – were being glorified once more in state media and official histories.
It’s the ultimate form of injustice, echoing what many of my Black American friends tell me they feel today as they watch decades of hard-won progress toward equity being reversed. After fighting so hard to dismantle statues of Confederate generals and slave owners, they now witness white supremacist narratives being rehabilitated and those who challenge them branded as unpatriotic.
Of course, these aren’t direct comparisons. Each country follows its own path. Perhaps America’s market economy will prove resilient against authoritarian capture. Perhaps its institutions will withstand the assault better than their counterparts elsewhere. Perhaps the federalized system will provide firewalls that weren’t available in more centralized states.
But, thinking back to countless conversations with friends who lived through authoritarian transitions, I’m reminded of how gradually the water heats around us all. Each small capitulation, each moment of silence stems from a perfectly reasonable thought: “Surely it won’t affect me personally.”
Among the 35 victims of Stalin’s Gulags that Oksana interviewed was Irina Verblovskaya. It was a love story that landed Irina in jail “I never thought they would come for me,” she told Oksana, her voice steady but her eyes still showing the pain of decades-old wounds. She never thought she was political enough to be noticed.
American friends often ask me what to do, how to respond once these patterns of repression become evident. I hesitate to answer with certainty. The cases I know most intimately are cases of failure. Nearly everything my dissident parents fought for in Georgia has been reversed in my lifetime. Yet paradoxically, their fight continues to inspire – precisely because it never truly ended. In Tbilisi today, people have stood in the freezing cold for more than a hundred nights, protesting laws that mirror authoritarian Russian legislation.
After years covering wars and political crises, I’ve noticed that soldiers on the ground often understand which way a battle is turning before the generals do. A taxi driver frequently has a better grasp of city dynamics than the mayor. My first rule is to always listen to people in the thick of it, to pay attention to those who may be at the margins of power but who are the first to feel its effects. Our failure is rarely in lacking prophets, but in refusing to heed their warnings.
Who are America’s prophets today? They’re the people routinely dismissed as alarmists – constitutional scholars warning about judicial capture, civil rights leaders identifying voter suppression patterns, journalists documenting the normalization of extremist rhetoric, and immigrants who recognize repressions they became familiar with in the countries they fled. Their warnings aren’t political hyperbole – they’re based on rigorous research, reporting and lived experience. And just as they are the first to detect the warning signs, they’re often the first people to be targeted when the final act of the play unfolds.
The last, game-winning tactic from the authoritarian playbook is the criminalization of dissent. This process begins with words – the increasing use of terms like “enemy of the state”, “threat to national security”, or “treason” to describe one’s political opponents. See how these labels proliferate in the far-right media. Note how disagreement is increasingly framed as betrayal. To anyone who has lived through authoritarianism, this language isn’t merely rhetoric – it’s preparation. Project 2025’s blueprint for reshaping the Justice Department follows this pattern – creating systems where political loyalty supersedes institutional independence.
The mechanisms may have evolved but the fundamental approach remains unchanged. In Russia, no one embodied this three-act progression more clearly than Alexei Navalny. In 2014, he was still able to mobilize hundreds of thousands in Moscow’s streets against Putin and the Kremlin’s corruption. His warnings about Russia’s growing authoritarianism were largely dismissed in the West as exaggerated. Yet the noose tightened around him – first arrests, then poisoning, imprisonment, and eventually death. He posed too great a threat, and the system couldn’t tolerate his existence.
That night in Tbilisi in 2019, Oksana talked a lot about what it was like to work with Navalny’s team, to mobilize Russians against Putin. We argued about whether or not Navalny was racist. For all his bravery fighting corruption, Navalny had made derogatory remarks about people from Central Asia and the Caucasus, calling Georgians “rodents” that should be “exterminated.” Like her, I had grown up with the Soviet collapse as the backdrop of my youth—we were the same age—but my experiences came from a Georgian movement that fought not just the Soviet system but Russian colonialism too.
Our wine-fueled argument eventually settled into a consensus that Western liberal democracy, for all its flaws, remained the best system available—the fairest and freest option we knew. It’s only now that I recognize my own slight condescension toward her because she was proudly an activist. After years working in Western media, I had been almost vaccinated against the idea of being an activist myself—journalism had to be pure, objective, detached.
I was wrong. Oksana understood something I didn’t yet grasp: in environments where truth itself is under assault, journalism inevitably becomes a form of resistance. For her, this wasn’t theoretical—it was daily reality. The boundary I so carefully maintained was a luxury she couldn’t afford, and it is now one I no longer believe in.
The Final Warning
A year later, after we filmed about 30 interviews with survivors of Stalin’s purges all across Russia, Oksana went back to show a few of them the result of our work. We have a video of Oksana visiting Olga Shirokaya, a 96-year-old Gulag survivor who had been arrested when she was 27. They sit down on Olga’s couch to watch the film, Olga’s eyes widen as she sees her own story reimagined through animation.
“I feel like I can breathe again,” she tells Oksana, her voice trembling. “I didn’t think in such a short piece you could so truthfully find the essence of all the things I told you.”
I’m haunted by that footage now. Oksana sits there, bright and elegant, while this survivor of Stalin’s terror watches her own testimony. By then, Navalny was already in prison. The full scale invasion of Ukraine was just weeks away. Did Oksana sense what was coming? Did she know she was documenting not just Olga’s past, but her own future?
When Putin launched his invasion of Ukraine in February 2022, Oksana left Russia. She went to Kyiv to report on the war for an independent Russian outlet – her final act of resistance. On March 23, almost exactly a month since the war had begun, while documenting civilian damage from Russian bombing, Oksana was killed in a Russian missile strike. She was 42.
“The Repressions Don’t End” wasn’t just the title she chose for the Russian version of our documentary project. It was how she understood history’s patterns – patterns that would claim her own life.
We’ve seen this movie before across different contexts and continents. The script is familiar, the plot mostly predictable. But we don’t yet know how it ends – especially in a country with America’s democratic traditions, constitutional safeguards, and decentralized power structures.
And so, when friends ask me “what do we do,” I tell them: Look to those who’ve been there before. Democracy isn’t saved through grand gestures, but through thousands of small acts of courage. Through showing up, speaking up, and refusing to turn away from what is happening before our eyes. Through recognizing that the authoritarian playbook works precisely because each small tactic seems too minor to resist.
We’ve seen this movie before. But we’re not just a passive audience—we’re also actors. And we still have the power to change the ending.
All illustrations and videos in this article are sourced from Series: Generation Gulag