Victor Orbán wants to adopt a zebra. Reading about the Hungarian Prime Minister’s bizarre request to become a “symbolic ‘adoptive parent’” of a zoo zebra, I had a feeling of déjà vu. Another oligarch, Bidzina Ivanishvili, who lives in a glass castle overlooking my hometown Tbilisi, is also obsessed with zebras. To be fair, he has a whole private menagerie. “Lemurs roamed free in my yard like cats,” Ivanishvili once boasted to journalists. He’s even taken selected reporters to meet his zebras. I never managed to get on that list.
This story is part of “The Playbook,” our special issue in which Coda acts as your early warning system for democracy. For seven years, we’ve tracked how freedoms erode around the world—now we’re seeing similar signs in America. Like a weather radar for democracy, we help you spot the storm clouds.
These seemingly eccentric obsessions with exotic animals reveal a fundamental truth about how power itself works. The zebra collection isn’t merely decorative – it’s emblematic of a system where the arbitrary whims of the powerful become reality, where resources that could serve many are instead directed toward personal indulgence. Orbán admires Ivanishvili’s Georgian Dream party, which has steered the country away from EU integration. Trump openly praises Orbán. These men create a web of mutual admiration, exchanging not just tactics but symbols and sometimes even PR consultants – as we learned when Israeli media revealed that Benjamin Netanyahu’s advisers had orchestrated a covert campaign to counter negative discourse around Qatar. Those same advisers were also tasked with cleaning up Serbian president Aleksandar Vučić’s public image.
Years ago as a BBC correspondent in Central Asia, I remember staring with bemusement at a massive golden statue in Turkmenistan of the former president, Saparmurat Niyazov, the self-styled ‘Turkmenbashi’, the ‘father of all Turkmen’. The statue rotated to always face the sun. We journalists used to dismiss it as the eccentricity of a dictator in a little-known corner of the world. These weren’t mere quirks, though, but early warning signs of an authoritarian pattern that would spread globally.
Last weekend, we gathered voices who have witnessed authoritarianism’s rise across continents for our event “The Playbook.” Their unanimous observation: the patterns emerging in America mirror what they’ve already witnessed elsewhere.
Nobel laureate Maria Ressa, who has faced multiple criminal charges and arrest warrants in the Philippines for her journalism, described her own sense of déjà vu watching events unfold in the United States. Democracy dies not in one blow but through “death by a thousand cuts”—media capture, then academic institutions, then NGOs, until the entire society bleeds out, Ressa warned.
Bill Browder, the architect of the Magnitsky Act that holds Russian leaders to account for human rights violations – which he lobbied for after his lawyer Sergei Magnitsky was murdered in Russian custody – mapped how Vladimir Putin perfected symbolic terrorization through selective targeting. He saw this pattern being repeated in the U.S.: “This attack on law firms, as an example, going after Covington & Burling, Perkins Coie, and Paul Weiss… what’s the message to every law firm in America? Don’t go after the government.” He pointed to judges facing impeachment threats and green card holders being threatened with deportation as classic examples of the Putin playbook unfolding in America – striking fear into entire sectors through selective prosecution.
Many audience questions focused on resistance strategies, with particular frustration directed at the Democratic Party’s seeming inability to mount an effective opposition. “Why are they so quiet about this?” Armando Iannucci asked, voicing a common concern about the lack of a coordinated response.
Yet Browder managed to see a bright side in America’s chaotic, decentralized resistance: “The Putin model is to find the leader of the opposition and then destroy them,” he noted. “But if you don’t have a leader and resistance comes from everywhere, there’s no way to stop it.” He pointed to student-led protests in Serbia and Georgia, where grassroots movements without central leadership proved remarkably resilient.
Few know more about resistance than anti-apartheid era South African activist Kumi Naidoo, who served as head of both Greenpeace and Amnesty International. While he offered practical resistance strategies, Naidoo also emphasized something crucial: “We have demonized people who do not agree with us,” he cautioned. “We cannot move forward in this moment where we find ourselves unless we consciously build bridges to the people that are not with us.” This doesn’t mean compromising on principles, but rather understanding the genuine concerns that drive people to support authoritarian figures.
“The worst disease in the world that we face,” Naidoo said, “is not HIV/AIDS or cancer or influenza—it’s a disease we can call affluenza.” This pathological obsession with wealth accumulation creates the perfect environment for would-be dictators, as ordinary people mistakenly see oligarchs not as threats to democracy but as aspirational figures. The zebra-collecting billionaire becomes someone to admire rather than fear.
Every speaker at our event expressed a haunting familiarity with America’s unfolding crisis – they’ve all seen this movie before, even though no one, right now, can possibly predict how it ends. Iannucci, creator of “The Death of Stalin” and “Veep – so, someone who has, literally, written the script – said the current reality might put him out of the job. How do you parody something already so absurd?
“Trump,” he said, “is a self-basting satirist in that he is his own entertainment.” Still, Iannucci underscored why humor remains vital in dark times: “Dictators and autocrats hate jokes because laughter is spontaneous, and they hate the idea of a spontaneous reaction that they have no control over.”
Far from mere entertainment, Iannucci argued that storytelling itself becomes essential resistance. He challenged us to move beyond speaking only to those who already agree with us: “We must tell authentic stories which are rooted in reality. And understand that to stand a chance to get through this moment we’re in, we have to invest equally on the objective side as well as the subjective side.”
As authoritarians build their global networks of mutual admiration, from private zoos to public policy, the countering networks of resistance become all the more crucial.
Maria Ressa’s powerful assertion that “when it is a battle for facts, journalism becomes activism” particularly resonated with me. As a journalist, I’ve been trained in objectivity and balance. Yet we now face a moment where the foundations of free thought that my profession relies on are themselves under direct assault. This isn’t about choosing political sides – it’s about recognizing when factual reality itself is being deliberately undermined as a strategy of control.
I also found myself enthusiastically agreeing with Kumi Naidoo who emphasized that we must genuinely listen to those who support authoritarian figures, not to validate harmful policies but to understand the legitimate grievances that fuel support for them. From Manila to Moscow to Washington, the pattern is clear but not inevitable. The script is familiar, but we still have time to write a different ending – one where free thought and factual discourse prevail over manipulation and fear.
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